Control4 Onyx El manual del propietario Pagina 14

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14
ONYX 4•Bus
ONYX 4•Bus
range. The HIGH MID EQ frequen-
cies include the female vocal range
as well as the fundamentals and
harmonics for many instruments.
22. LOW MID EQ
This is a second midrange EQ
control that provides 15 dB of boost
or cut centered at 400 Hz. This
includes the male vocal range and
the fundamentals of some lower
instruments (guitar, lower brass).
23. LOW EQ
This control gives you up to 15
dB of boost or cut below 80 Hz. The
circuit is at (no boost or cut) at
the center detent position. This
frequency represents the punch in
bass drums, bass guitar, fat synth
patches, and some really serious
male singers.
24. EQ IN/OUT Switch
This is a true hardware bypass of
the Perkins EQ circuitry to insure
that there is no coloration of the
signal if the EQ is not needed.
When this button is out, the EQ
controls have no effect on the
signal. You can use this switch to
make an A/B comparison between
the EQ’d signal and the signal
without EQ.
25. AUX Sends
These tap a portion of each
channel’s signal out to an effects
processor or for stage monitoring.
The AUX Send levels are controlled
by the channel’s AUX 1-6 knobs,
and by the AUX SEND MASTERS
knobs [55].
26. PAN
PAN adjusts the amount of chan-
nel signal sent to the left versus
the right outputs. On the stereo
channels, the PAN knob works like
the balance control on your home stereo (panning left
turns down the right channel, and panning right turns
down the left channel).
27. MUTE
Press this switch to mute the channel. This discon-
nects the channel’s signal from all the Groups, the Main
Mix, and Aux Send buses (pre* and post-fader). You
can still solo the channel in PFL mode when the MUTE
switch is pushed in.
* If the pre-fader Aux Send’s internal jumper is wired for pre-Mute
[56], the MUTE switch will not affect the PRE Aux Send.
28. Stereo Fader
The fader controls the stereo channel’s level, from
off to unity gain at the “U” marking, on up to 10 dB of
additional gain.
29. Signal Level LEDs
These LEDs indicate the sum of the channel’s left and
right signal levels after the GAIN and EQ controls, but
just prior to the channel’s
fader. So even if the fader is
turned down, you can see if a signal is present.
If you’ve followed the “Set the Levels”
procedure, the
–20 and 0 LEDs should light frequently, the +10 LED
should light occasionally, and the OL (Overload) LED
should not light at all. If the OL LED is blinking fre-
quently, the signal is probably distorted from overdriving
the input. Either turn down the GAIN control or turn
down the signal at its source.
30. GROUP and MAIN MIX ASSIGN Switches
Alongside each channel fader are three buttons
referred to as channel assignment switches. Used in
conjunction with the channel’s PAN knob, they are used
to determine the destination of the channel’s signal.
The stereo channels are assignable to GROUPS 1-2,
3-4, and the MAIN MIX. With the PAN knob [26] at the
center detent, the left and right stereo signal is equally
balanced. To feed only one side or the other, turn the
PAN knob accordingly.
31. PFL Solo Switch
Like the PFL switch on the mono channels, this switch
allows you to hear signals through your headphones or
monitor outputs without having to route them to the
MAIN or GROUP mixes. Since this is Pre-Fader Listen,
you can listen to the stereo signal even when the chan-
nel fader is turned down. Unlike the mono channel PFL,
the stereo channel PFL is a stereo signal (post-pan
control), and therefore retains its left and right stereo
image in the headphones and monitors, and appears on
both LEFT and RIGHT meters.
The Rude Solo LEDS [43] below the meters indicate
which solo mode is active.
10
dB
30
20
10
OO
40
5
5
U
60
50
31
32
STEREO
GAIN
L R
PAN
LOW
MID
400Hz
HIGH
MID
2.5kHz
U
+15
-
15
U
+15
-
15
OUT
IN
LOW
80Hz
U
+15
-
15
EQ
HIGH
12kHz
U
+15
-
15
U
-20db +20db
AUX
4
3
2
1
5
6
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
GAIN
OL
+
10
0
-
20
ASSIGN
MAIN
MIX
1
-
2
3
-
4
31
32
EQ
MUTE
PFL
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